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 Cindy Sherman is an American photographer who incorporates feminism, performing arts, cultural criticism, and body and identity politics into her provocative works. Sherman is famous because she uses her body when playing roles or roles at work. Her groundbreaking series "Untitled Film Stills" (1977-1980) is particularly important. These black-and-white photos feature the artist himself as a model, wearing various costumes and poses, and depict female stereotypes in movies, TV, and commercials. "The typical idea of pursuing beauty seems boring to me because that is the easiest and most obvious way to see the world. Looking at the other side is more challenging."

  Song Dong is a contemporary Chinese artist, active in sculpture, installation, performance, photography, and video. He has participated in many solo exhibitions and group exhibitions around the world, covering a range of themes and themes, including his relationship with his family and their life experiences in modern China (his widely exhibited installation "Waste Not"), Chinese cities The environment is fickle. In a wide range of practice, Song Dong explored the memory, impermanence, and value expressed by human beings in the rapidly changing social background of China. In 2005, he exhibited Waste Not for the first time. This installation showcased more than 10,000 items accumulated by his late mother, from jars and shoes to toothpaste tubes. A large number of objects that are garbage in nature are designed to show the tiny details of human life and mention the futility of survival, which is a frequent theme in his performances, installations, videos, and paintings. Song

  Shen Wei was born in Shanghai, China. He is known for his intimate portraits with others and himself, as well as for his poetic landscape and still life photography. His work has been exhibited in international exhibitions, including the Museum of the City of New York, the Philadelphia Museum of Art, the Art Power Station in Shanghai, China, the Hasselblad Foundation in Gothenburg, Sweden, the North Carolina Museum of Art, and the Museum of Contemporary Photography in Chicago. His works have been published in The New York Times, The Guardian, The New Yorker, CNN, Aperture, ARTnews, The Paris Review, The Financial Times, Le Figaro, and American Photography. Shen Wei's work is included in the Museum of Modern Art (MoMA), Philadelphia Museum of Art, J. Paul Getty Museum, Museum of Contemporary Photography, Library of Congress, Carnegie Museum of Art, Morgan Library and Museum, CAFA Art Museum, and Linlin Museum of Art, etc. His work I miss you already is all composed of self-portra

  Liu Ziqian is a self-portrait photographer in Shanghai. There are two main themes in her work. The first is about the symbiosis between man and nature. To a certain extent, it can be said that human beings are equal to other parts of nature. We live in the same world, breathe the same air, and tolerate each other. In her works, she tries to find a harmonious state between man and nature, because in this symbiosis state, beauty will be most embodied. The second theme is perspective. The things we are familiar with usually remain fixed. She tries to convey different discoveries through her work-looking at the same subject from different angles. In her works, the image in the mirror represents the ideal world she hopes to live in. The fusion with the outside world is only to remind people to respect and recognize the imbalances in the real world, while also insisting on its order and principles. Our hearts.

 Chen Chuanxing is a Chinese photographer, film director, and PhD in Linguistics from the French Higher School of Social Sciences. He interprets the modern aspects of Taiwan on a philosophical basis, and he can implicitly see the influence and unique style of important French philosophy and intellectual traditions. The title of "No Candle then to" comes from "Shao Yi" in "Book of Rites": if there is no candle, those who arrive later will be reported as the present. "" means "being in a dark place, and those who come first tell those who come later to use the dark place." This photography collection contains 119 daily images of Taiwan from the 1970s to the 1980s. It is not intended to emphasize the photographer’s aesthetics or the technique of playing with light and shadow, nor is it to talk about photography as a communication language or tool, and it is not about micro-personal or macro-societal memories, but Forty years after the silv

Wang Ziqian graduated from the Central Academy of Fine Arts and then went to the School of Visual Arts in New York to study fashion photography. The world in Ziqian's lens is free with her sex, just as she herself-her works honestly reflect her-sensitive and straightforward. Ziqian said, "People stop talking when facing the camera. I think this is the most fascinating part of photography. When a person communicates with you without language, what kind of dialogue you are relying on, I have always cared about this. "In an interview, she said, "When I want to make a judgment on something, these things will appear again. Many of my emotions and judgments come from feeling memories again. This does not mean that I am a nostalgic person. On the contrary, I think this is a time and space. I don’t think the past exists only in the past, but the past exists in the future. “She always believes that what happens at this moment is the only thing that will happen. She believes t